The Degree 33 New Surfer’s Dictionary
A practical field guide for newer surfers who want to understand what experienced surfers are actually talking about.
If you’ve surfed for any length of time, you’ve probably realized something:
There’s the physical act of surfing…
And then there’s the language around it.
You’ll hear things like:
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“It’s wedging up on the inside.”
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“That section’s going to run.”
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“That board has too much rocker for today.”
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“The tide’s draining it out.”
And if you’re newer, you might nod like you understand — but not fully.
That’s normal.
At Degree 33 Surfboards, we believe progression isn’t just about time in the water. It’s about understanding what you’re seeing, feeling, and riding. The better you understand the language of surfing, the faster you recognize patterns — and that’s when improvement accelerates.
This is a deeper, practical surfer’s dictionary. Not flashy. Not exaggerated. Just terms you’ll actually hear — and what they really mean.
WAVE SHAPE & BEHAVIOR

A-Frame
A peak that breaks both left and right. In a crowded lineup, it’s one of the few ways two surfers can ride the same wave without conflict.
Shoulder
The open, unbroken part of the wave extending away from the peak. If someone says a wave “has a shoulder,” they mean it offers room to ride.
Pocket
The most powerful part of the wave, just ahead of the breaking lip. Staying in the pocket means you don’t have to manufacture speed — the wave gives it to you.
Section
A defined part of the wave face. Some sections stand up and invite a turn. Others flatten or crumble. Surfing well is often just connecting sections properly.
Flat Section
A powerless stretch of wave where speed naturally dies. Experienced surfers generate speed here instead of stalling.
Reform
When a broken wave gathers shape again farther inside. Beginners often ride reforms — and that’s perfectly fine.
Double-Up
When two sections combine and amplify the wave’s height and steepness. Can create opportunity or chaos. Triple ups are also possible.
Closeout
A wave that breaks all at once with no open face. Even good days have closeouts.
Bowl
A steep, curved section that concentrates power. Ideal for committed turns.
Wedge
A wave that peaks sharply due to swell angles meeting sandbars or structure. Often steeper and punchier than surrounding waves.
Racy
A fast-breaking wave that moves quickly down the line. Requires early positioning and speed.
Slopey
A softer, less steep face. Easier takeoff but less natural power.
Ledgy
A wave that stands up abruptly due to shallow bottom contours. Often associated with reefs.
Throwing
When the lip pitches forward aggressively.
Crumbly
A softer breaking lip that lacks definition.
Running
When a wave peels quickly down the line without pausing or slowing.
Backing Off
When a wave initially looks steep but then softens unexpectedly.
TAKEOFF & POSITIONING

Inside Position
Closest to where the wave will break. This surfer has priority.
Deep
Positioned very close to the peak — sometimes too close.
Too Far on the Shoulder
You caught the wave, but outside the power source. Harder to generate speed.
Late Drop
Taking off just as the lip is pitching. Requires commitment and fast pop-up.
Steep Takeoff
When the face is nearly vertical at entry.
Air Drop
Free-falling into the wave because you were too late or too deep.
Fade Takeoff
Angling briefly toward the breaking part before redirecting down the line. Used to set up positioning in steep waves.
Paddling for It
Committing fully to catch the wave. Hesitation often means missed waves.
Pulling Back
Choosing not to take off once you recognize someone else has priority.
MOVEMENT & TECHNIQUE

Bottom Turn
The most important turn in surfing. Sets up everything else.
Top Turn
Redirecting off the upper face or lip.
Cutback
Turning back toward the breaking whitewater to return to the pocket.
Roundhouse Cutback
A full-arc cutback that reconnects with the foam and rebounds.
Snap
A tight, vertical turn in the pocket.
Carve
A longer, drawn-out rail turn using the full face.
Floater
Riding over breaking whitewater and reconnecting with the face.
Re-Entry
Hitting the lip and redirecting downward.
High Line
Riding high on the wave face to maintain speed.
Low Line
Riding lower to set up power turns.
Pump
Generating speed through subtle compression and extension.
Stall
Intentionally slowing down, often to position for a barrel.
Trim
Standing in balanced posture to let the board glide naturally.
Rail-to-Rail
Smooth transitions between edges during turns.
Holding Rail
Engaging the board’s edge securely into the wave for control.
Projection
Carrying speed and direction out of a turn.
Release
Momentarily disengaging fins at the top of a turn.
Bogging Rail
Over-engaging the edge and losing speed mid-turn.
Chatter
Subtle vibration of the board at high speed.
CONDITIONS & OCEAN AWARENESS

Offshore
Wind blowing from land to sea. Holds the face open and clean.
Onshore
Wind blowing from sea to land. Adds surface texture.
Cross-Shore
Wind blowing across the face.
Glassy
No wind. Clean surface.
Bumpy
Light texture from residual wind.
Victory at Sea
Disorganized, choppy conditions from multiple swell directions and wind.
Groundswell
Long-period swell from distant storms. More organized and powerful.
Windswell
Short-period swell from local wind.
Period
Time between waves. Higher period usually means more power.
Pulse
Short-lived increase in swell size.
Lull
Pause between sets.
Clean-Up Set
Larger set wave breaking farther outside than expected.
Rip Current (Rip)
Channel of water moving back to sea. Can help you paddle out — but requires awareness.
Drain
Strong water pull on outgoing tide, especially over shallow sandbars.
Wrap
Swell bending around a point or structure into a protected area.
BOARD DESIGN LANGUAGE

Volume
Measured in liters. Determines float and paddle power.
Rocker
Curve from nose to tail. More rocker helps in steep waves. Less rocker increases speed in small surf.
Rails
Edges of the board.
Soft rails are forgiving.
Hard rails increase speed and bite.
Outline
The board’s shape viewed from above. Influences turning radius and stability.
Stringer
Wood strip running down the center for strength and flex.
Deck Dent
Heel impressions from repeated pressure.
Pressure Ding
Minor indentation from impact.
Glass Job
Fiberglass and resin application. Heavier equals durability. Lighter equals responsiveness.
Epoxy
Lighter and more buoyant construction.
PU (Polyurethane)
Traditional construction with a smoother, dampened feel.
BOARD TYPES & WHEN YOU’LL HEAR THEM DISCUSSED

Shortboard
Performance-focused board for steep, critical surfing.
Fish
Wider outline and often twin-fin. Fast in smaller waves.
Midlength
Balanced glide and maneuverability. Often overlooked, frequently effective.
Longboard
Built for trim, glide, and positioning.
Groveler
Short, wide board for weak surf.
Step-Up
Slightly longer, narrower board for bigger surf.
Gun
Long, narrow board for large, powerful waves.
FIN SETUPS

Thruster
Three fins. Balanced and predictable.
Twin Fin
Fast and loose.
Quad
Four fins. Speed and hold.
Single Fin
Smooth and drawn-out feel.
Raked Fin
More drive and longer arcs.
Upright Fin
Quicker pivot and tighter turns.
Flex
How much the fin bends under pressure, affecting drive and release.
LINEUP REALITIES

Priority
The surfer closest to the breaking peak has the right of way.
Dropping In
Taking off on someone already riding.
Snake
Paddling around someone to gain inside position unfairly.
Wave Hog
Someone taking excessive waves without rotation.
Rotation
Unspoken order of set waves among respectful surfers.
Scratch
Paddling urgently to get over an incoming wave.
Tombstoning
When a board stands vertically after a wipeout, indicating the surfer is underwater.
WHY THIS LANGUAGE MATTERS
When you understand these terms, something changes.
You stop seeing waves as random.
You stop blaming equipment for positioning mistakes.
You begin recognizing patterns.
You hear someone say, “It’s wedging on the inside with a draining tide,” and you actually understand what that means for your board choice and where you sit.
Surfing improves slowly. But awareness speeds it up.
The goal isn’t to sound experienced.
It’s to become experienced.
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